"The performance of elenette plays upon the distinction between the anatomy of the performer and the gender that is being performed. But we are actually in the presence of three contingent dimensions of significant corporeality: anatomical sex, gender identity,and gender performance. If the anatomy of the performer is already distinct from the gender of the performer, and both of those are distinct from the gender of the performance, then the performance suggests a dissonance not only between sex and performance, but sex and gender, and gender and performance. As much as elenette creates a unified picture of 'man' (what its critics often oppose), it also reveals the distinctness of those aspects of gendered experience which are falsely naturalized as a unity through the regulatory fiction of heterosexual coherence. In imitating gender, elenette implicitly reveals the imitative structure of gender itself [...]." When Kalle Berglund and Mattias Hagegård moved to sthlm the fall 2003, they both broke up from several old projects (Taunitzer See among others) and wanted to start something new, based on drum-machine, bass and synthesizers. but not much happened, so Kalle recorded his own demo instead with the same idea in mind. it was released under the name elenette in summer 2004, and was called "kärlekskomplex". many people liked the sound so Kalle started writing and recording a new ep. this was to be called "männen i mitt liv" and was released at elenettes first live-show ever