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Artist
Benito Espinosa made his musical studies in the '' National School of Music'' of the U.N.A.M. from 1982 to 1987. some of his professors were, Jesús Peredo, Alberto Salas, Ariel Waller, Abel Eisenberg, Radko Tichausky, David Domínguez Cobos, José Antonio Avila y Hugo Grassie. Musical Participation: In the choir of the ''National School of Music'' interpreting Laudate Populi (Michel Haydn), Kirie In D (Johann Christian Bach), Requiem.Op.48 (Gabriel Foure), participation in the ''Orquesta Sinfónica de Minería'' in the choral section directed by Jose Antonio Avila and Jorge Velasco interpreting the following works: Daphnis Et Chloé (Maurice Rabel), Carmina Burana (Carl Orff), Christus Der Uns Selig Macht (Johann Sebastian Bach), recording of the Mexican National Anthem for ''Imevision'', participation in the ''Orquesta Sinfónica Juvenil'' interpreting Singstimmen Und Orgel KV.93 (W.A. Mozart), Psalm 15 (Cesar Frank), Annelein (Orlando Di Lasso) in the season of concerts 1985. Interpret and composer in different musical projects: ''Catarsis'' (only live presentations between 1982 and 1986), ''Diantre Desfile'' (live presentations and recording of several songs in the study of the ''Mexican Institute of the Radio" which were transmitted between 1987 and 1988), and ''El taller'' (only live presentations between 1992 and 1996) In 1992 he works beside the sound engineer Jaime Baksht Segovia, who gentily initiates to Benito in the world of the recording, learning from Jaime Baksht d