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Not so long ago and not so far away, near the mountains in a place the Canadians call Alberta, a young man fell in love with the blues. Bottleneck slide blues, to be precise, maybe the most soulful and haunting music to ever come out of black life in the Deep South. Slide is all about the notes between the notes, the ones just this or that side of the frets that hold so many kinds of music together. It’s an ancient thing, going back thousands of years in India and it’s a familiar thing, something we hear in the cello, the violin, the oud and the voice of a great singer. As fate would have it, one night that young bluesman saw Jerry Douglas play the Dobro and on that night everything changed. The next morning, he went out and bought a Dobro, and started teaching himself how to play. Twenty years later, that Dobro is still on his lap and if you were to ask Doug Cox today, he’d tell you he’s still learning. Depending on where and when you hear Doug these days, he might be sitting cross-legged with Indian slide guitarist Salil Bhatt and a tabla player, creating an intricate musical dialogue that weaves centuries of tradition into something contemporary and beautiful. He could have been on a stage from Spain to the Southern States and the UK with Californian tunesmith, Corinne West, performing songs with her from “The Promise”, her third album which they co-produced. Or, teaching someone something new on the Dobro at a music camp in Alaska, or adding a couple of tracks to som