Dick Prall

about

Dodging in and out of pop ditties, lilting melodies, and quirky song structures, Dick Prall’s inability to stay in one musical place is reflective in a body of work that mirrors his personality: youthfully distracted and sweetly cynical. He puts great care into fashioning accessible and viral songs, inserting them with content that, if you look beyond the hooks, shows you a landscape filled with unsavory characters, undesirable behavior, frustrating ambivalence, and a decent dose of thoughtfulness. You could label him a storyteller—one who leaves you happily singing along to tales of serial murder and roadside sex long after you’ve tucked away your ear buds. Prall hit the ground running with his first full-length, Somewhere About Here – dubbed “a track-by-track monster” by No Depression magazine. The follow-up, Dressing Up the Failure, under his alternative moniker Starch Martins, opened the door to national performances with renowned artists such as Jon Brion, Mike Doughty, Bobby Bare, Jr., Glen Phillips, and Justin Townes Earle. Dressing also received critical acclaim by many media outlets, including the Chicago Sun-Times who praised Prall for achieving “a brand of rootsy power-pop that is smart, introspective and filled with great hooks.” His next album, the eclectic Fizzlebuzzie, prompted Performing Songwriter magazine to call the diverse record “a box of chocolates for your ears” and earned him a featured spot on NME.com. He upped the ante with the release of the b