Deborah Martin's ability to visualize and create music is something for which she feels lucky. With a vivid imagination and a deep love of historic places and people of the distant past, we could see her as being blessed; for they are few, those visionaries, who can bring forth into the present, and into our hearts, the spirit of that which has been so utterly lost in antiquity. Deborah has traveled throughout Europe, North America, and Asia, experiencing firsthand the diversity of cultures and the historic threads that weave through time, people, and place to connect us all. This perspective enabled her to recognize and uncover the links between present and past, and to interpret the resulting panorama with a compositional style all her own. Deborah joined Spotted Peccary Music in 1991, and was introduced to us on the album "Tracks in Time." Deborah states, "I had a vision of places, people and events from long ago, and I wanted to capture that vision with sound." Her three compositions, "Tracks In Time," "Watercolors," and "Forgot In Stone" did just that and more. Inspired by the enthusiastic response of those compositions, Deborah began work on her first full length project, "Under The Moon," released in 1995. The album received extensive airplay at the 1996 Olympics in Atlanta. It takes us on a compelling voyage, from dusk till dawn, by lunar light and shadow, to an inner realm of serenity and grace. Deborah enlisted the help of noted bassist, Tony Levin, in bringing