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The Electro Pop/Dance team, comprising of Clyde Allman and Garrick Jones. They started producing together in early 2011. After trying their hand at many styles of music, playing in bands over the years the two joined the Electro Scene, transforming their past experience into something melodic, fresh, original and exciting After being caught up in the trash/dub hype, the guys decided to rather focus their attention on making music that could make you bounce, something with a catchy melody and tune, yet produced to a standard that South Africa has yet to experience. This is when DeaderThanDisco found its sound. Creating amazing productions that weren’t genre specific that could appeal to a wide market though next level production, a solid understanding of pop and commercial music, whilst maintaining and credibility as producer/songwriters. After Signing with Sony Records and only a couple of months on the scene, they have already had 2 tracks on the top40 of South Africa's national radio station, 5FM, with Crunked up Reaching 3rd position and Replay reaching 10th They are currently working on their first full length album, and the single BIG TINGS featuring Ifani and Kyle Camble is set to be the first release It is safe to say that South Africa finally has a real production team that Is sure to take the country by storm with their fresh approach to pop music and insanely tight production - taking South Africa Dance and Electro production to new heights. User-contributed t
# DeaderThanDisco This project merits consideration for how it synthesizes years of diverse musical experience into a coherent vision. Allman and Jones deliberately resist trend-chasing, instead channeling their background across multiple genres toward a specific purpose: marrying accessible, dance-oriented melodies with meticulous production standards. The album represents a thoughtful recalibration—a deliberate choice to prioritize craft and listenability over prevailing aesthetics. What emerges is work that honors both the precision of electronic music and the immediacy of pop sensibility, suggesting these aren't opposing forces but complementary ones. In its regional context, the project signals ambition toward production excellence rarely encountered locally, making