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Artist
David Last's tracks often combine dancefloor energy with the deeper-leaning funk of dancehall, dub, latin music and hip hop. All this stuff is probably present in one way or another in his tracks, but it's still something new. A new foodgroup... too simple to call it dancefloor dub, or field funk, or maximal tech(no!)... it's purely his own style, instantly recognizable. He has become known internationally for his soundcraft and deeply funky rhythmic sense, which may be a result of having played drums with NYC bands. The music employs a wide range of clipped and manipulated sounds, placed with the precision of a sharp shooter. Shades of tone and texture create an emotional reaction to the sound of the music, while a heavy emphasis on rhythmic ebb and flow does the dirty work of getting hips bumping. At parties he blows up the joynt with a set consisting of his own unique style of dancefloor rockers, sometimes including a-capella vocals from reggae or hip hop. Given his syncopated rhythmic leanings, the combination sounds natural, never ironic. Crowds respond with screams and sweat. Note the same "f@ck-all let's rock it any old way that feels good" attitude that prevailed back in 70s and 80s NYC; when disco, hip hop, punk rock, and pop music could be found freely intermixing without shame. An offbeat sense of humor is also present, keeping it surprising and uplifting. Work on a dancehall-influenced CD with genius ragga bad-man ZULU is set to blow up Europe in 2008. David h