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Artist
David Jacobs-Strain is a fierce slide guitar player, and a song poet from Oregon. He’s known for both his virtuosity and spirit of emotional abandon; his live show moves from humorous, subversive blues, to delicate balladry, and then swings back to swampy rock and roll. It’s a range that ties Jacobs-Strain to his own generation and to guitar-slinger troubadours like Robert Johnson and Jackson Browne. “I try to make art that you can dance to, but I love that darker place, where in my mind, Skip James, Nick Drake, and maybe Elliot Smith blur together.” His new album, “Geneseo,” speaks of open roads, longing hearts and flashbacks of Oregon– a record of emotions big and small, and lyrics that turn quickly from literal to figurative. “I’m fascinated by the way that rural blues inscribes movement and transience. The music that frees a singer keeps them on the run; there’s a crossroads where a thing can be enchanting but dangerous; damaging but beautiful.” Geneseo began as an experiment. Camped out in a converted 1820s church, Jacobs-Strain recorded guitar and vocals on a laptop, rarely using more than one microphone. “It was winter in rural upstate New York. We had very little daylight but endless old instruments to try: a swap-meet banjo on one song, on another, the Conn Electric Band–an orphaned keyboard from the 60s –which seemed to sound best only on tuesdays.” A road trip to Los Angeles brought in Scott Seiver (Pete Yorn, Flight of the Concords) on drums, and, a