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Artist
Daniel Steinberg has been crafting electronic music laden with personality and punch for the better part of two decades. The Berlin producer has carved his own niche in the club realm with productions that feature a quirky concoction of crisp tech house beats, infectious hooks, playful vocal samples and darker minimalist flavours, which are particularly apparent in his output under his alternate moniker, Harry Axt. Steinberg’s sound is built upon a playful panache that breaks free from the straitjacket of house and techno conventions and embrac.. Daniel Steinberg has been crafting electronic music laden with personality and punch for the better part of two decades. The Berlin producer has carved his own niche in the club realm with productions that feature a quirky concoction of crisp tech house beats, infectious hooks, playful vocal samples and darker minimalist flavours, which are particularly apparent in his output under his alternate moniker, Harry Axt. Steinberg’s sound is built upon a playful panache that breaks free from the straitjacket of house and techno conventions and embraces the sonically unexpected. His distinct approach to club sounds, as both a DJ and a producer, has piqued the interest of discerning listeners and dancers worldwide, along with a certain Jesse Rose, who signed Steinberg to his Front Room label. Steinberg proceeded to accumulate a string of well-received releases on Front Room, such as ‘Cobra Limbos’ and ‘Keep On Movin’, in addition to dro