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THEY’RE A BIG BAND. Not Count Basie big. More like big heart and big ideas. Big emotion and big gestures. Big-time intensity and, most importantly, a big-ass sound. A big mixture of rock and soul. Big ambition, too. Progression, what with its tendency to offer no guaranteed returns, is rare in today’s world. Rarity makes paying witness to an artistic arc spanning several albums during which a band is allowed to grow into its ambitions a real treat. That’s why the Damn Seagulls, from Helsinki, Finland, make heads turn. After a mission statement of a first album and a prodigious branching out on their second album, the band has found what is doubtless the first of many treasures on “Hunting Season”, their third album for Fullsteam Records. The success of the explorations that preceded it, gave the band the confidence to self-produce the album, with the exception of the vocals, which were produced by Miikka Koivisto of label mates Disco Ensemble. So where are we now? “Hunting Season” is not a radical departure or an attempt at reinvention. It’s condensed soul. Take the introverted urgency of the Afghan Whigs and combine it with the extroverted bombast of the E Street Band at the height of their powers. Add a touch of storytelling magic á la The Hold Steady. If a connection can be drawn between the personal and the political, Damn Seagulls has drawn one between the intensely personal and the blindingly epic. Raw emotion, served stadium-size. It’s a long road to travel and it