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It's a cold, snowy August morning in Quila Quina, a small town on the outskirts of San Martín de los Andes (Argentina), and the members of Coral Casino can't seem to find a way out of the crisis they've come to solve. But what problems could a boy and a girl on holiday in a cabin on the shores of Lake Lácar, this natural paradise, have? It sounds ridiculous, especially considering that, in recent times, Roque Ferrari and Lara Artesi saw their dream of making a living from music begin to materialise with the release of Lejos, their first album - recorded in Mexico City at the invitation of the label Finesse Records - which made them a reference in the very young local trap scene, either as producer (him) or as vocalist (her). Yet here they are, fighting again because it's been months since they've released a song they both consider to be good. The idea of arriving in the off-season to this place without electricity or internet, several kilometres away from Roque's hometown due to the snow, was to go inside to find a couple of hit songs that would resume Coral Casino's adventures in dancehall, trap and urban music in general, a path that the duo took after $lytherin, their 2015 experimental R&B mixtape, and then abandoned in Lejos (2018), a coherent set of futuristic ballads. However, the Southern landscape brought back a certain languor, which has little to do with the group's more switched-on side, that which appears on reggaeton bombs like "Chocolate Love" or "Class", a rem