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Artist
Clark Terry (born December 14, 1920 in St. Louis, Missouri), nicknamed Mumbles, is an American swing and bop trumpeter, a pioneer of the fluegelhorn in jazz, educator, and NEA Jazz Master. Clark Terry attended Vashon High School, and began his professional career in St. Louis in the early 1940s by playing in local clubs before joining a Navy band during World War II. Afterwards, he played with Charlie Barnet (1947), Count Basie (1948-1951), Duke Ellington (1951 to 1959), and Quincy Jones (1960). He also performed and recorded regularly both as a leader and sideman. In all, his career in jazz spans more than sixty years. His years with Count Basie and Duke Ellington in the late 1940s and 1950s established him as a world-class jazz artist. Blending the St. Louis tone of his youth with contemporary styles, Terry’s sound influenced a generation. During this period, Terry took part in many of Ellington’s suites and acquired a lasting reputation for his wide range of styles (from swing to hard bop), technical proficiency, and infectious good humor. In addition to his outstanding musical contribution to these bands, Terry exerted a positive influence on musicians such as Miles Davis and Quincy Jones, both of whom credit Clark as a formidable influence during the early stages of their careers. After leaving Ellington, Clark’s international recognition soared when he accepted an offer from the National Broadcasting Company (NBC) to become its first African-American staff musician.