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Artist
Claire Watson (née McLamore) (February 3, 1927 – July 16, 1986) was an American soprano, particularly associated with Mozart and Richard Strauss roles. Born in New York City, she studied at the Eastman School of Music in Rochester, and later privately with Elisabeth Schumann and Sergius Kagen, in New York. She then left for Europe, where she studied in Vienna with Otto Klemperer. She made her stage debut in Graz, as Desdemona, in 1951. She was engaged by the Frankfurt Opera in 1955, where she sang a wide range of roles, notably: Countess Almaviva, Pamina, Elisabeth, Leonora, Aida, Tatyana, Fiordiligi, Elisabeth de Valois, and the Die Marschallin, in which role she made her debut at the Royal Opera House in London in 1958, and at the Glyndebourne Festival in 1960. In 1958, she became a member of the Bavarian State Opera in Munich, where she sang as Eva and Sieglinde. She also made regular guest appearances in Berlin, Vienna, Salzburg, Milan, also appearing in America, notably in San Francisco, Chicago, and Buenos Aires. In 1971, Watson performed in Boston for the Peabody Mason Concert series. A singer of considerable warmth, musicality and sincerity, Watson was also greatly admired as Ariadne, the Countess in Capriccio, and especially as Ellen Orford in Peter Grimes, of which she left a memorable recording, conducted by Benjamin Britten himself. She can also be heard on other recordings: as Agathe in Der Freischütz, under Lovro von Matačić, as Donna Anna in Don Giovanni,
Don Giovanni K527, Atto Primo, Scena prima, Introduzione: Notte e giorno faticar (Leporello): Notte e giorno faticar (Leporello)
412Don Giovanni K527, Atto Primo, Scena prima, Introduzione: Notte e giorno faticar (Leporello): Non sperar, se non m'uccidi (Donna Anna/Don Giovanni/Leporello)
383Don Giovanni K527, Atto Primo, Scena prima, Recitativo & Duetto: Ma qual mai s'offre (Donna Anna/Don Ottavio)
374Don Giovanni K527, Atto Primo, Scena prima, Recitativo & Duetto: Fuggi, crudele, fuggi! (Donna Anna/Leporello)
365Don Giovanni K527, Atto Primo, Scena prima, Introduzione: Notte e giorno faticar (Leporello): Lasciala, indegno! (Commendatore/Don Giovanni/Leporello)
356Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Aria: Or sai chi l'onore (Donna Anna)
277Don Giovanni K527, Atto Primo, Scena quarta: Aria: Batti, batti, o bel Masetto (Zerlina)
268Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Quartetto: Mi par ch'oggi il demonio
259Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Aria: Don Ottavio, son morta! (Donna Anna/Don Ottavio)
2410Don Giovanni K527, Atto Primo, Scena terza: Recitativo & Aria
23Mozart: Don Giovanni
Britten: Peter Grimes

Wagner: Der Ring des Nibelungen
Wagner: Götterdämmerung
Wagner: Das Rheingold

R. Strauss: Der Rosenkavalier (The Knight of the Rose), Op. 59, TrV 227

Richard Strauss: Der Rosenkavalier
Britten conducts Britten: Opera Vol.1
Solti - Wagner - The Operas
Opera Obsession! Act IV

Richard Strauss: Der Rosenkavalier, Op. 59, TrV 227 (Bayerische Staatsoper Live)

Der Rosenkavalier