Catherine Braslavsky

about

After her master's degree in mathematics and biology in 1985, she began to change careers, finally devoting herself entirely to music. During the next five years, she studied: - classical voice (Magali Damonte; Philippe Ballois) - Gregorian Chant (Catholic Institute in Paris, Strasbourg University) - Medieval Chant (Centre de Musique Médiévale in Paris, Gennevilliers Conservatory) In 1986 she began intensive studies of the music of Hildegard of Bingen, which now holds a place in her repertoire almost as important as that of Gregorian chant. photo Roswitha Guillemin In 1989 she began to practice overtone singing with David Hykes, and few months later, became a member of his Harmonic Choir. She was also an assistant teacher in his workshops. This led to extensive concertizing, in France at major concert halls such as the Théâtre de la Ville in Paris, Sacred Art Festival in Paris, and abroad in Los Angeles, Tokyo, Barcelona, Amsterdam, Prague, Warsaw, Zurich etc... She left the Harmonic Choir in 1995 in order to devote herself entirely to her own musical projects. Long attracted by Indian music, she studied the South Indian classical tradition with Nageswara Rao in 1992-93. Since then she has pursued research in ancient music (Jewish, Egyptian, Mesopotamian, Greek and early Christian), and contemporary musical traditions. In 1991, she began to work with Joseph Rowe and Thierry Renard. After several years of research, they performed their first major concerts in 1994, recordi

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Le mariage du ciel et de la terre

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