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Artist
Praised by the international press as one of the most interesting musicians in the field of early music, Catalina Vicens' dynamism and approach to historically informed performance and musicological research has led her to become one of the most versatile and sought-after historical keyboard performers and teachers of her generation. Having specialized in performing on antique keyboard instruments (ranging from the 15th to the early 19th centuries), she has been invited to play on the oldest playable harpsichord in the world, featured in her recording “Il Cembalo di Partenope” (Diapason d’Or); the 15th-century gothic organ of St. Andreas in Ostönnen (one of the oldest and best-preserved organs in the world), as well as in a large number of prestigious collections in the UK, Europe, Japan and USA. She is also recognized for her work with medieval and renaissance keyboards, working alongside specialized instrument builders in the 'reconstruction' of new prototypes based on historical sources, and for her work alongside composers to give a new life to historical instruments. In 2021, Vicens has been named curator of the Tagliavini Collection in Italy, one of the largest historical keyboard collections in Europe, and artistic director of Museo San Colombano in Bologna, as successor of the late Liuwe Tamminga, one of the leading experts of the Italian organ repertoire together with Maestro Luigi Ferdinando Tagliavini. Catalina is also harpsichord/research lecturer at

Organic Creatures

Il cembalo di Partenope

Parthenia
An Old Hall Ladymass
Parthenia (Byrd, Bull, Gibbons)
A Renaissance Harpsichord Tale
Audiobook "Il Cembalo di Partenope"
Mon chant vous envoy
Handel: "Mezzo Soprano" - Opera Arias
Guillaume de Machaut, Disc 4
An Old Hall Ladymass (Dolby Atmos)
Me lassera tu mo