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Artist
Camila Nebbia is a saxophone player, composer, improviser, visual artist, curator and educator debasing hierarchical systems by exploring counterpoints of migration, identity and memory through multiple, but minimally separated, mediums. From Buenos Aires, Argentina, based in Berlin, Germany, the multidisciplinary artist layers her practice through the creation and destruction of archival memory. Has released as a band leader and solo performer “A veces la luz de lo que existe resplandece solamente a la distancia” (Kuai 2017), “De este lado” (Club del disco 2019), Aura (ears&eyes records 2020),“Corre el río de la memoria” (ramble records 2021) and “Presencias” (Sound Holes 2021) “Una ofrenda a la ausencia” (Relative Pitch Records 2023), "La permanencia de los ecos" (577 Records 2023). Played and recorded with many artists of the international scene such as Michael Formanek, Angelica Sanchez, Randy Peterson, Andrea Parkins, Tom Rainey, Patrick Shiroishi, Vinnie Sperrazza, Katt Hernandez, Kenneth Jimenez, Lesley Mok, Violeta García, Axel Filip, Susana Santos Silva, Elsa Bergman, Paul Pignon, l’ Arfi collective of Lyon, Joanna Mattrey, Vincent Dromowski’s Flow regulator, Sofia Borges, John Hughes, among others. Co-creator and curator of the collective interdisciplinary group and improvised music series “La Jaula se ha vuelto pájaro y se ha volado”, the interdisciplinary festival “Guillotina Fest'' and creator and curator of the streaming concert series called “The warmth of

Una ofrenda a la ausencia

Exhaust

a reflection distorts over water

in another land, another dream

Aura

De Este Lado

Resonating Spaces

Caminar Sin Rumbo

Las Manos
A Veces, La Luz de Lo Que Existe Resplandece Solamente a la Distancia (feat. Ingrid Feniger, Guido Kohn, Nacho Szulga, Axel Filip & Omar Menendez)
Me condiciona el nombre

La Permanencia De Los Ecos