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There is a point in Martin Scorsese’s The Last Waltz where Levon Helm is describing the musical melting pot that is the mid-South – that place where rhythm and blues, western swing, blues, country and gospel elements blended together to create what we call rock and roll. These were all influences in the Muscle Shoals area where musician/artist Browan Lollar was raised, from his early experience with music in his father’s church to his time playing with several bands and local musicians in the Shoals. After years as a sought-after guitar player in the Southern independent music scene, Browan is releasing his solo debut, the EP For The Givers And The Takers. Chances are you’ve heard or seen Browan play before – whether in his 6-year stint with Jason Isbell & The 400 Unit, his work with Saddle Creek artists Azure Ray, or his playing with emerging Shoals band The Pollies. Now, after relocating to Birmingham, Browan is stepping forward to the mic and unveiling this set of songs written during his time playing with the 400 Unit and The Pollies. His collaborators on the record are a Who’s Who of the up-and-coming new music scene taking shape in the Shoals, including The Pollies and members of the Alabama Shakes, Lauderdale, Doc Dailey and Magnolia Devil, and TheBear. The EP was produced by Browan and The Pollies’ Jay Burgess, with recording and engineering work from the Shakes’ Ben Tanner and Lauderdale’s Niles Lee, and was mastered by Matt Pence (who happens to play in one of Loll

For The Givers And The Takers
Feel Bad For You: January 2013
Browan Lollar - For The Givers And The Takers
For the Givers and the Takers - EP
For the Givers and the Takers (EP)
For The Givers and Takers
Browan Lollar
For The Givers & The Takers
This Is American Music 2012 Sampler
Feel Bad For January 2013