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Artist
BAYNK
12+ albums
popelectronicNew ZealandAllnu-disco
about
Pushing beyond his playlist origins, the New Zealand producer’s debut album revels in eccentric details while adhering to traditional pop structures. Like so many electronic artists in the mid-’10s, New Zealand’s BAYNK (Jock Nowell-Usticke) got his start making chill, pop-adjacent songs that seemed primed for placement in mood-based playlists. His early attempts at surf-bro EDM sounded like what Kygo and LeMarquis were putting out on SoundCloud at the time; he used his voice sparingly, mainly as material to be sampled. In the years since, though, he has refined his palette. On 2017’s Someone’s EP I and 2019’s Someone’s EP II, his percussion took on the rhythmic impulse of Four Tet, and his rubbery basslines and glossy experimentalism were reminiscent of early Cashmere Cat and Flume. Using his Auto-Tuned falsetto to further texturize his songs, BAYNK’s fusion of house, R&B, and pop soon set him apart from the many similar acts scattered throughout the scene. Adolescence is BAYNK’s most meticulous work to date. It revels in eccentric, distinctive details while adhering to traditional pop structures. Most arrangements consist of grainy synth loops, plucky subs, and house-inspired drums; his digital sounds are drenched in reverb and slapped with sidechain. On the Cosmo’s Midnight-assisted “How Does it Feel?” languid synth pulses and a funky bassline give way to some of the sharpest vocal melodies on the album. “Remember,” which features Rainsford, exhibits BAYNK’s talent for pee
