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Artist
Haddard released her first solo project in 2016, an EP called “Adult Lullabies.” Until that point she mostly played in bands, like the sprawling funk outfit the New Review — a fitting choice for someone with Haddard’s raw vocal power. But “Adult Lullabies” is a stripped-down affair, just Haddard and her acoustic guitar, recorded on the spur of the moment to use up some extra studio time. She sings in a near-whisper, her voice close, its sibilants landing with a hiss as her fingers squeak across the fretboard. “Blue Part” sees Haddard step into a bigger sonic space. She abandons the acoustic for an electric imitation stratocaster; drummer Josh Strmic and Haddard's boyfriend, the bassist Charley Ruddell, complete a lean trio. The songs on “Blue Part” hew mostly to moody neo-soul in the vein of the British singer Lianne La Havas or the American musician Emily King, but Haddard channels other sounds as well: a lacerating guitar riff on “What I Need Now” flirts with post-hardcore heaviness, while the lyrical “Take Me Under” wraps itself delicately around a bossa nova groove. https://aubreyhaddard.bandcamp.com/ User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.