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Antonio Pio (1753-1795) was an Italian composer of operas. As Renzo Calamosca relates in his book Musicisti ravennati nei secoli scorsi (Ravenna, Arti Grafiche, 1935), in the 18th century “there were very few musicians from Ravenna. One of them, however, was really outstanding: Antonio Pio, opera composer and music teacher at the court of Catherine of Russia, in the post that had been previously held by the celebrated Paisiello and Cimarosa”. Antonio Pio (1753-1795) belonged to a family that had originally come from Ferrara and had already given Ravenna several good musicians. He studied at the Conservatorio di S. Onofrio of Naples under the guidance of Pasquale Anfossi, one of the most prolific opera composers of the 18th century. The Archivio Arcivescovile of Ravenna preserves the score of Pio’s Gionata. Oratorio a quattro voci con strumenti fatto l’anno 1779 per la solenne festa della translazione della Sacra Immagine di M. Vergine detta del Sudore nella Metropolitana di Ravenna l’ultima domenica di maggio (“Gionata. Four-part oratorio with instruments made in the year 1779 for the solemn feast of the translation of the Holy Image of the Virgin Mary called Our Lady of Sweat to the Main Church of Ravenna during the last week in May”). A specimen of the libretto is housed in the Biblioteca Classense of Ravenna. The veneration of Our Lady of Sweat has remote roots in the city of Ravenna, and music has always worthily accompanied the end-of-May celebrations. Information about
Gionata: Chorus: Si salvi il regio figlio
22Gionata: Recitative: Onnipotente Iddio
23Gionata: Chorus: Misero Gionata
24Recitativo Onnipotente Iddio
15Gionata: Recitative: Tacete!
16Gionata: Aria: All'agitato seno
17Gionata: Recitative: La madre d'un eroe
18Gionata: Aria: Se questa vita
19Gionata: Recitative: Ma figlio
110Gionata: Aria: L'amoroso tuo consiglio
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