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Antoine Dougbé – The Devil’s Prime Minister Who was Antoine Dougbé? Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs he released in the late 1970s and early ’80s. Yet all the musicians who happened to cross paths with him remember him with a mixture of admiration and fear; for Antoine Dougbé was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful Vodún initiate whose close connection to the spirit world allowed him to refer to himself as “the Devil’s prime minister.” As a young man he moved from Abomey to Cotonou, a city that had established itself as one of the centres of the West African music scene. There he encountered most of the popular styles of African and Latin music and, like many of his generation, found himself drawn to Cuban son and rumba. Although he was particularly attracted to Congolese rhythms, it was his fascination with the traditional rhythms of Benin—especially those associated with Vodún ceremonies—that allowed Dougbé to take his music in directions far removed from anything happening in the Congo. Early in his career, Dougbé was known for intimidating and threatening musicians if they didn’t play to his liking, and when the time came to find a band willing to record with him, he struggled. But according to Mélomé Clément, founder of the mighty Orchestre Poly-Rythmo de Cotonou, Dougbé posed no problem for them, since the ban

LEGENDS OF BENIN
Legends of Benin (Afro-Funk, Gayacha, Agbadja, Afro-Beat)
Analog Africa No. 5 Legends of Benin

African Scream Contest 2 (Analog Africa No. 26)
Legends of Benin (Analog Africa No. 5)
Antoine Dougbe et L'Orchestre Poly-Rythmo De Cotonou (Analog Africa No.44)
Legends Of Benin (Analog Africa)

African Scream Contest 2
African Scream Contest Vol.2 - Benin 1963-1980
Antoine Dougbe et L'Orchestre Poly-Rythmo De Cotonou

Gnin We A Na Mon

African Scream Contest 2 - Benin 1963-1980