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Artist
Absorb the impact of his paintings, and instantly you are moved to hear some accompanying musical score, which cushions the picture far more suitably than any frame could ever accomplish. At the canvas, each brush stroke is kin to the notes he tenders at the guitar – “…empty space is everything; silence is the very canvas through which we might hear an angel’s trumpet or the harps-of-heaven or muses calling from within the depths of the heart …” This astute grasp of expressed-duality is the quintessence of Razzauti’s approach to the art of the painting as well as to the art of musical composition… and, I would venture to guess, to the art of life itself. We all must travel from that which we encounter to that which we understand, and the road traversed is not exactly paved-in-petals nor does it often incline or decline at a gentle slope – nothing of value is easily accomplished nor free from the self-imposed debt of study and effort. Inspiration does not just suddenly appear undeservedly, nor will it gradually emerge from some veiled haze as a single unattached event, but, more often than not, it explodes and swirls out in an unexpected, though integral, expansive gestalt of empathy and insight... leaving a kind of mixed-blend of familiarity and imagination in its wake. Talent is like that. It is not unilateral in nature. It is a multi-dimensional matrix of unyielding horizons, immediate in its potential and fully accessible at the soul, open to those allowing its presence