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Artist
American Head Charge, the Minneapolis-based nu metal band, which had its beginning Cameron Heacock and Chad Hanks crossed paths in a Minnesota rehab facility in 1997, has up to now been known primarily for the radically dysfunctional behavior of the band members. "We were definitely out of control on our first tour, Ozzfest 2001," Mr. Banks admits. "It wasn't enough to just play our music; we also had to fire shotguns on stage and throw pigheads at the crowd. Chalk it up to a desperate bid for attention." The Head Charge rap sheet - which also includes getting into bloody brawls with their fans, smashing equipment they couldn't afford to replace, reacquainting themselves with hard drugs and occasionally being locked up by the enraged fuzz - has served to obscure the fact that these free spirits play the shit out of their instruments and make brutally powerful music of uncommon distinction. But this distorted (though hardly inaccurate) perception of the band will likely change with the release of The Feeding, a seething mass of avant metal, nightmare grindcore and moshpit rock that alternates between pummeling ferocity and passages of all-out grandeur. It's a stunning display of primally extreme music that's guaranteed to scare the hell out of your parents. The album had its genesis during the limbo in which AHC found themselves after touring intensively behind their acclaimed 2001 debut, The War of Art, two years of prolonged exile from the road and ongoing internal tumul