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Artist
A great lover and connoisseur of painting, no less learned in his passion for poetry, Alain Planès enjoys a career in his own image: right from the start he has followed the path of life rather than the siren songs of a glory that demands too many compromises. There is in him something of a curious blend of Proust and Wilde. With the first he shares his relationship with time, profound, expanded, Schubertian. With the second, a certain intellectual dandyism, a form of refined cynicism that nonetheless does not sacrifice tenderness. From a mother with an artistic temperament, a painter and music-lover, he has inherited and retained fervent humility and disinterestedness of gesture. In the end it is this that creates style – rigour is of little use without grace. This multi-faceted sensibility discovered the piano at five, first played with orchestra three years later, and set off for the United States after the Paris Conservatoire in search of another way of making music: with Pressler, Sebök, Primrose and Starker, whose regular concert partner Alain Planès long remained in the USA and Europe. Soloist, chambrist, accompanist, teacher – every aspect of his art arouses his interest. Moreover, he had the opportunity of discovering the entire classical and contemporary repertoire by playing it through on two pianos with François Michel, a friend of Stravinsky’s, in whose home Michel had mingled with the great intellectual figures of the time such as Malraux, Deleuze, Cassandre,
Rêverie, L. 68
6942Suite Bergamasque. III. Clair de Lune. Andante Très Expressif
6353III. Clair de lune. Andante très expressif
3514Estampes, L. 67: I. Pagodes. Modérément Animé
3175Rêverie
3166Gnossienne No. 2
2247Images oubliées, L. 87: II. Sarabande
1948Suite Bergamasque, L. 75: III. Clair de Lune
1829Le Sommeil de Lear
17810Clair de Lune
166
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