Adam Kroll, Polish by birth, immigrated to Germany in 1981 and finally found his home in Duesseldorf. It was in Duesseldorf that he was eventually able to follow his impulse for freedom and creativity after his restricted and uncomfortable school time. The first form of expression Adam found was with paints in his hands, which was to nearly lead him to the art academy. It wasnt until a friend showed him a few beats on a drum that his enthusiasm for music was awakened. From that point on his paints were put away in a drawer, where they remain to this day! Adam needed a master plan quickly, enough time to practice and a plan in the art of survival At last the first formations began take place when everything that some how or other had a black groove to it became incredibly interesting to Adam, it was then that he scored a place, as the only white, in an African Reggae band. He began to let the legendary minimalism and the very beginnings define him. After a four year Ganja Fever Tour, which was emotionally fun and exuberant, Adam discovered the Atari computer. This opened up a whole new world of possibilities in accomplishing his dreams, ideas and potential. This ignited a new creative desire. Exactly where it was going was unimportant at first, but it was this misdirection that led to endless, uneventful tinkering sessions and no concepts. Ultimately, influenced by Mouse on Mars. Jan Jelinek & Co, Adam found his feet in electric music, where everything that in some way twanged