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Artist
Adam Craig is one of the good guys, and it’s about time he showed up. It started in a car in Tenino, Washington, just south of Seattle. The windows were down, Martina McBride and Heart were blaring on the radio and his mother was wondering what had just possessed her young son to match those mercurial vocalists note for note. “She was like ‘Holy crap kid, you can sing!’” he says with an infectious, disarming chuckle. From that moment forward, Adam knew he had a special gift – a vocal presence that transcends the typical bounds of a male country singer to touch the stratosphere, and an ability to pull listeners inside a story. Standing out early in life as a Tim McGraw and Travis Tritt lover in a sea of flannel-clad grunge rockers, Adam is no stranger to going against the grain. He honed his vocal chops in soggy bars and talent shows all over Washington State, then made the cross-country drive to Nashville and discovered another gift – a knack for writing modern country songs with sensitive, meaningful lyrics, a touch of good humor and breathtaking hooks in a time when machismo and bluster were the order of the day. Working as an in-demand Music Row songwriter, Adam has co-penned hits like Parmalee’s “Close Your Eyes” and scored cuts by Jason Aldean (“Church Pew or Bar Stool”), Dustin Lynch (“World to Me”), Love & Theft (“Whiskey on My Breath”) and more, but his own style is something different – it’s the next step in country’s continuing evolution, and the antidote for t