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THE NONCOMPULSORY TEXTBOOK FOR THE FIRST GRADE OF HISTORY WITH THE FUNDAMENTS OF COMPREHENSION OF THE POST-HARDWHATEVER GROUP OF UNUSUAL NAME AND CONGENIAL NUMBERS 1985-1986: Prehistory The 2-2-2-7 group emerges on the very firm Slovene hard core scene of the time: Bozo (guitar; ex-UBR), Jani (bass; ex-Epidemija), Dare Kuhar (drums; ex-Odpadki Civilizacije), and David Krzisnik (vocal). The name of the group was picked simply from someone’s identity card. In 1986 they participate at the Novi Rock festival. At this occasion they are entitled to use - free of charge - the Top Ten studio facilities to record one song. 2-2-2-7record four tunes in a single stroke, without breaks. Nobody, not even the producer Janez Krizaj, notices the surplus of three pieces. And tone technicians at Radio Student prefer to play them in sequence. After 1986, 2-2-2-7sink into self-oblivion because of successive enrolments of the members into Yugoslav National Army. 1991-1993: Reincarnation In 1991, Jani and Bozo start anew, and they are joined by Macek (drums; ex-Komakino, before also Buldogi, Niet, and Lublanski Psi). 2-2-2-7 become an instrumental trio. They perform in Slovenia, Italy, Czechoslovakia, and the Netherlands. Gradually they widen their viewpoints of music: from hard-core roots emerges a creative mixture of most varied approaches and influences. What results is an unusual music collage which perplexes music critics in their attempts to designate - at least provisionally - thei