Overcast Sound’s Untitled 12 is a deep and rich chapter in the mysterious and unyielding history of dub-tech. These three tracks exist in the haze between a museum dose of opiates and REM sleep. Sarapiquí is a slow tempo pulse guiding us past breathing caves, bird sounds and open spaces that issue strangely familiar sounds that we just can’t place. Kommós merely hints at rhythmic propulsion as subtle sounds glide by, just perceptible, just out of reach. A man’s murmuring voice confides to the listener – a confession? A cry for help? An apology? His voice and the sounds that cradle it, pass timelessly without resolution. Organon’s remix of Sarapiquí is slighty more psychedelic than the original as textures and deep chords undulate and swirl. The dub tech rhythm pushes more to the up beat through myriad atmospheric details. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.