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Buck Meek's new album, The Mirror, is out 27 February on 4AD. As Pitchfork praises, Meek “specialises in a philosophical strain of songwriting,” which is evident across The Mirror. There’s a tender power, countered by immutable vulnerability. With an uncanny curiosity, he reveals the uniqueness in the mundane. The Mirror searches for new meaning and the familiar is reframed through Meek’s singular voice. Emerging from a decade of work together in Big Thief, the partnership of Meek and producer James Krivchenia on The Mirror arrived from the idea to combine the band’s live, kinetic energy with an oblique electronic world. From production projects including Big Thief’s Dragon New Warm Mountain I Believe In You and his recent solo record, Performing Belief, Krivchenia’s work is enlivened through electronic elements, always seeking to deepen sound. The concept for The Mirror welcomed a collective atmosphere in which simultaneous experiment could occur – the musicians responded to each other in real time, while their instruments triggered modular synthesizers. For The Mirror, Meek and Krivchenia welcomed in friends, family, and longtime collaborators including Adrianne Lenker, who contributed vocals, Adam Brisbin on guitar, and Ken Woodward on bass. New creative partners and longtime friends like composer and ambient musician Alex Somers joined in on synthesizer, toy microphone, an old piano, and Mary Lattimore brought in the sounds of her prismatic harp. A rotating cast of four