Suite in Four Movements

First Movement - Taqsim, dedicated to the day of tomorrow

Yitzhak Yedid

First Movement - The image of an old weary man

Yitzhak Yedid

First Movement - The pianist's gaze

Yitzhak Yedid

First Movement - Poetic Fractions

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First Movement - Evolution of hatred and bitterness

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First Movement - His final request

Yitzhak Yedid

Second Movement - The High Priest's whispered prayer on Yom Kippur as he leaves the Holy of Hollies

Yitzhak Yedid

Second Movement - The dancer's gleeful cries

Yitzhak Yedid

Second Movement - Olive branches in the candelabra

Yitzhak Yedid

Second Movement - Belly dancing in an imaginary cult ritual

Yitzhak Yedid

Second Movement - Eruption

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Second Movement - "And thus would he count"

Yitzhak Yedid

Second Movement - An even more powerful eruption

Yitzhak Yedid

Second Movement - One, one and one, one and two, one and three, one and four, one and five

Yitzhak Yedid

Second Movement - Image of a homeless Holocaust survivor on the streets of Tel Aviv

Yitzhak Yedid

Second Movement - The double bassist's voice

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Second Movement - Awakening the dead

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Second Movement - An Israeli chorale, dedicated to the Holocaust survivor

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Third Movement - Cries of joy

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Third Movement - The violonist's gaze

Yitzhak Yedid

Third Movement - Hallucinatory Debka dance

Yitzhak Yedid

Third Movement - Magic of a sensual belly dancer

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Third Movement - And again the cries

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Third Movement - The image of the old man from the First Movement

Yitzhak Yedid

Third Movement - The madness of creation

Yitzhak Yedid

Third Movement - Epilogue: the prayer of purification

Yitzhak Yedid