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Album
Storybook
LTO →1,731 listeners8,374 plays
experimentalpost post-dubstepambientelectronicexperimental electronic
about this album
With Storybook, Bristol-based solo electronic producer LTO returns to Injazero Records following his debut, 2015's No Pasa Nada EP. While plaudits for LTO have tended to focus their praise on No Pasa Nada's tense and eerie programming, its deep sonics and waves of static, Storybook gives us access to the beating heart within the machine. It is an album not purely of mechanics, but also of human warmth, formed with a colour palette of equal digital and organic materials. There is expression and articulation, delicateness of performance, voices both natural and treated, piano and brass, all deftly placed about a canvas of electronic fabrics. A vision is laid out by album opener Change. It combines gentle, dulcet synthesis with a percussive line made of table-tennis recordings and Spanish-language voices that softly echo in and out of the space, like Katie Gately remixed into Brian Eno's ambient records or the poise of Max Richter filtered through Chris Clark's production lens. These themes wander and weave through the record. They comprise willfully corrupted notions of the 'single': broken, distorted vocal pieces that never quite move as expected, yet somehow remains approachable and deeply touching. They comprise fluidity and elasticity, a human-ness that enwraps the mechanical parts, in the same sense as Holly Herndon or Nils Frahm. A highly accomplished pianist (indeed, a piano teacher in his civilian life), LTO's astute musicality is the foundation stone beneath the magi
