Staying In the Game

about this album

Fred Anderson's reputation as one of the premier creative improvising saxophonists is well deserved, but he is also a formidable and able player within the modern mainstream of jazz. This trio recording is easily accessible to both camps, a studio session done in his native Chicago, and where the music is completely original and mostly made up on the spot, its straight-ahead nature makes compelling comparisons to another peer and icon that made this type of recording 50 years prior — Sonny Rollins. The fluid nature of Anderson's elongated solos and inexhaustible ideas fare well alongside those of Rollins, and at his advanced age are as fresh as any in the business. Bassist Harrison Bankhead and drummer Tim Daisy are very supportive, never get in the way, and use their own good common sense in swinging these pieces along with forcing a single measure or phrase. "The Elephant and the Bee" is as evocative as the title, a behemoth deep tone from Anderson's observant tenor meandering about as Bankhead's buzzing bowed bass zig-zags around. The hard to free bopping "Sixty Degrees in November" musically depicts the nicer days in Chi-Town via Anderson's tuneful, non-threatening tones, while "Springing Winter" is a loose, free, not-so-chilled association between melody and Daisy's flexible drumming. The 25-minute magnum opus "Sunday Afternoon" starts with a simplified, child-like stairstep scale, then settles inside on a blues groove, and ramps up to some faster expressionistic, extend

tracks

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