Sound Affects is a 1980 album by British group The Jam. This release, their fifth album, is frequently considered the closing point of The Jam's artistic peak begun on their third LP, All Mod Cons and carried through on its follow-up, Setting Sons. This is considered by many fans and critics to be The Jam's best album; only All Mod Cons receives more claims thereto. Paul Weller considers this album to be The Jam's best work. After the ambitious, harder-rocking Setting Sons, The Jam returned to the pop-oriented outlook of All Mod Cons, albeit with a noticeably different sound. The most salient influence on this album is '60s British psychedelic pop, such as The Beatles' Revolver, The Who's The Who Sell Out, and The Kinks' The Village Green Preservation Society. The psychedelic overtones run throughout the album: in the backwards guitar on "That's Entertainment"; in the swirling, gauzy feel of "Man in the Cornershop"; in the punchy British horns of "Boy About Town" and "Dream Time". Other obvious influences are post-punk groups such as Wire, Gang Of Four, and Joy Division and, particularly evident in Rick Buckler's drumming, Michael Jackson's Off the Wall album. Indeed, singer/guitarist/songwriter Paul Weller said at the time that he considered the album a cross between Off the Wall and Revolver. The album's cover is a pastiche of the artwork used on the various "Sound Effects" records produced by BBC Records during the 1970s. This album features the group's second UK number