Kuedo returns to Planet Mu with his long awaited second album Slow Knife. It's been five years since his acclaimed debut Severant and time has proved it prescient; its futuristic trap influence is now ubiquitous. Slow Knife seems to return to where Severant left off, but with the intricate sound design of the haunting Assertion of a Surrounding Presence EP subsumed into the compositions, making them more exacting and beautifully crafted. Between albums Kuedo has been working as a sound designer and composer for hire and the application of intent and widescreen rigour that commercial work requires has definitely found its way into the new album. Slow Knife has the subtlety, ambition and pacing of a brilliant soundtrack – a sense of an album of scenes, that easily lends itself to an impressionistic narrative. But, as with Severant, the title suggests relationship unease, with the slow knife being a metaphor for the building resentment in any close relationship. Slow Knife is almost two albums; the first half, according to Kuedo, invokes the seduction of the city, taking the music of Michael Mann's Manhunter as a cue, with the latter half being inspired by the bloody starscapes and voodoo wilderness of films such as Angel Heart, Night of the Hunter and more recently the True Detective series. Both halves of the album are also in thrall to Ghost in the Shell and Mica Levi's inspiring Under the Skin soundtrack, especially in the turbulence of the mid-section. The songs of the a