On his debut full-length record for Modern Love, Guy Brewer lures the listener into a monochrome soundscape in the shape of a grimy power station where you walk from hall to hall, each with its own arrangement of massive nebulous objects made of unknown materials. It is like roaming through the ruins of Texas’ Stargate LLC a thousand years from now. As you wander, these autonomous objects swing gently, producing distinct (ar)rhythmic noises – clinks, clangs and clunks, tings, rattles, jingles and jangles – all characterised by a church-like reverb. Some have that singular patina of a metal rod being dropped in a large hangar, but emulated in multiple ways. In this eerie zone, the uncanny feeling of being constantly observed is always there, even though there is nothing alive around. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.