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Album

Pugnate

Musica Romana →
263 listeners6,346 plays
ancient roman musicancientancient instrumentsearly musicpagan folk

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about this album

Sounds of the Arena - Music of the Gladiators Was there music in the ancient Roman arena? What instruments accompanied the battles of the gladiators? Are there any surviving notations from that time? Did the Romans already played organs? The new album "pugnate" (latin. Fight!) of the internationally known ensemble "Musica Romana" deals thematically with the music of the ancient games. A sensation is the use of an reconstructed ancient water-organ (oldgreek. hydraulis) after an archaeological found from Hungary. The ensemble is worldwise the first , which brought this instrument after 2,000 years back in an arena, and accompaigned reconstructed Gladiator games. Together with ancient brass-instruments the water-organ formed the basis for the musical accompaniment of the Roman games. The album trakes the listener on a journey. The CD begins with a procession (latin. pompa), through the streets of Rome, and ends with an antique banquet. To hear e.g. original pieces from that era, whose notations and texts have survived the time and thus are playabled again. It also contains and deals next to the water-organ with the reconstructions of harps, lutes, lyres, reed-instruments, drums, percussion and brass-instruments. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

why this is interesting

# On Pugnate by Musica Romana This ensemble undertakes a fascinating archaeological investigation into a largely forgotten soundscape: what actually accompanied gladiatorial combat in ancient Rome. Rather than speculation, they ground their work in tangible evidence—fragmentary notations, historical descriptions, and crucially, a reconstructed hydraulis (water organ) based on a genuine Hungarian artifact. This approach transforms the album beyond mere historical recreation into something more intellectually honest: an exploration of what we can reasonably know about an arena's acoustic environment. The ensemble becomes not entertainers but researchers, inviting listeners to inhabit genuine uncertainty alongside them. Their willingness to work with incomplete evidence, rather than fill gaps with invention, makes this

tracks

1

Pompa circensis

Musica Romana

2:22
2

Gladiatores

Musica Romana

3

Risus Sativus

Musica Romana

3:31
4

Hymnus Dianae

Musica Romana

3:21
5

Ludi

Musica Romana

2:33
6

Hymnus an Helios

Musica Romana

4:44
7

Tubae Sonant

Musica Romana

8

Venatio

Musica Romana

2:00
9

Naumachia

Musica Romana

2:19
10

Gladiatrices

Musica Romana

1:51
11

Imperator

Musica Romana

0:46
12

Oktokaidekasimos Hydraulikon

Musica Romana

1:47
13

Hymnus Nemesis

Musica Romana

4:03
14

Pugnate

Musica Romana

0:47
15

Iugula!

Musica Romana

0:15
16

Missio

Musica Romana

0:35
17

Victoria

Musica Romana

0:24
18

Musica Tabulae

Musica Romana

3:04
19

Faunus

Musica Romana

2:52
20

Umbra

Musica Romana

3:34
21

Seikilos

Musica Romana

3:21
22

Bacchus

Musica Romana

2:27
23

Spectaculum

Musica Romana

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