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about this album
This is the third mashup mix that I have made, and newest one. Here's a list of artists that appear on the album (please don't sue me)... The Vines, Tag Team, Peaches, Yeah Yeah Yeahs, Busy P, Death Cab For Cutie, The Beatles, DJ Mehdi, MIA, Shanks, The Black Eyed Peas, Usher, Big Boi, Alexisonfire, Radiohead, Unk, The Pixies, Hoobastank, Flight of the Conchords, Weezer, Birdman, Cold War Kids, Adele, Jurassic 5, Big D and the Kids Table, Clipse, Jay Z, Alicia Keys, Biggie, Fallout Boy, Rage Against the Machine, Cassidy, Missy Elliot, Kelis, Ying Yank Twins, Hurricane Chris, Coldplay, Lil’ Wayne, The Raconteurs, Edwin Starr, Ludacris, Deadmau5, Timbaland, Crookers, Lil’ Sister, Flo Rida, Pitbull, A Day to Remember, Beyonce, Dr. Dre, Street Drum Corps, Green Day, Operation Ivy, Jamie Fox, The Band, Busta Rhymes, Surkin, Gillie Da Kid, Phantom Planet, Beastie Boys, David Banner, Nas, Pharoahe Monch, Adam F, Daft Punk, Oasis, T Pain, Elton John, Atmosphere, Eminem, Biz Markie, J-Kwon, Florence and the Machine, Bad Boys, Rick Ross, The Gorillaz, Benga, Led Zeppelin, Rich Boy, Switchfoot, Young Buck, Chairlift, KT Tunstall, David Sanborn, John Williams, 3OH!3, The Offspring, A.R. Rahman, Streetlight Manifesto, Bounce, Stevie Nicks & Fleetwood Mac, Iron Maiden, Red Hot Chili Peppers, Boys Noize, TI User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
why this is interesting
This third mashup collection demonstrates the genuine craft required to make disparate sources cohere. By weaving together artists spanning indie rock, hip-hop, pop, and electronic music—from Radiohead to Missy Elliott to The Beatles—the mix doesn't simply juxtapose contrasts for novelty's sake. Instead, it reveals unexpected rhythmic and melodic compatibilities, inviting listeners to hear familiar songs anew. The curatorial intelligence here lies in recognizing which combinations might illuminate something latent in each track. What emerges is less a novelty exercise than a meditation on musical DNA: how does structure persist across genres? Where do seemingly incompatible artists actually share common ground? This approach offers genuine listening
