One BC, the first all instrumental solo album by The Reds crazed keyboard player, Bruce Cohen, starts off with Ambione, a lush soundscape that would be right at home on a Tangerine Dream album. Now get ready to dance a groove with Shadows, a funky, faux middle-eastern slab of grease. Miles Davis at one time had the greatest percussionist around, Mtume, and this namesake song is for him, spatial and dramatic. Blues from Venus? Well, not exactly, but Interocitor Blues could have come from there . . . slow moving beats and cinematic strings rule the day on this one. We now come to Cosey, another Miles alumni, this composition reflects on the giant of a man who wielded the guitar like no one else. Smooth, noisy and lush. OK, hold on, here comes Third Rail . . . for those who will, let's say, indulge, just a little psychedelic kaleidoscope of sounds. Set The Control For The Heart of Trent Reznor in Three Forty Seven . . . a pounding percussion backed up with swaying dark sounds for those waiting for Klaatu to land. Next is And How, a trip-hopping movie theme, with treated Hollywood strings for the next film about demented lovers. Ready to go down the River Styx? Then Stream will provide the music for your trip, and the fog horn from hell will guide you there. Death in Venice is taken from the book/movie of the same name. Is the music heroic or sad? You decide. A slow, hard beat drives this song along with an almost Arabic theme running through with