Maxwell's solo debut has been a long time in coming, but it been worth the wait, as he neatly sidesteps the curse of the non-vocalist bandleader. Bringing in Darrell Nulisch for one vocal ("Heart Attack") only distracts from this fine instrumental showcase for David's prodigious abilities. Maxwell literally sparkles on the gospel-ish sanctified shout of "Sister Laura Lee," the New Orleans strut of "Breakdown On the Bayou," the boogie woogie classic "Honky Tonk Train" and "Manhattan Max," trading licks throughout with guest stars Ronnie Earl, Duke Levine and saxman supreme Mark "Kaz" Kazanoff, basically the cream of the New England blues mafia. The fact that Maxwell has learned his slow blues lessons well is exhibited on the Pete Johnson tribute, "Down at P.J.'s Place," "Deep Into It" and a seven-minute-plus rendition of Avery Parrish's "After Hours." This is more than just an impressive debut; this is a record of great playing and uncommon musical depth. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.