After the release of Slide, Germano had largely resigned from the music business, vowing to never release another record. It would take five years before she re-emerged with one of her most beautiful albums to date in Lullaby for Liquid Pig. Released in April 2003 on Ineffable/iMusic (a Universal sublabel) and later reissued by Young God Records, Lullaby for Liquid Pig marked Lisa Germano’s return after a long break from recording. The album is hushed, slow-moving, and heartbreakingly intimate—an after-hours reflection on addiction, emotional paralysis, and fragile hope. “You don’t listen to Lullaby for Liquid Pig with other people in the room. You listen to it alone. I love this record, but it doesn’t work when you listen to it with others. I don’t think it works unless you’re alone.” Lullaby for Liquid Pig was re-issued four years later, accompanied by a bonus disc of live and home recordings. This album signaled a shift in Germano’s approach: quieter, more meditative, and deeply ambient. There’s less playfulness here and more resignation, but also a kind of strange, searching beauty. "(The album) it's about behaviour, the behaviour of lonely people who don't understand why they feel the way they feel....some songs are about alcohol but they are more about addiction, whether it is alcohol, a lover, or something else. It's about people who want and need too much. They're not getting it so they look elsewhere to get it". User-contributed text is available under the Crea