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Album
Liminal Rite via Metal Blade Records They say: It's strange to live in a time when information is immortal. While humans have been holding onto images since we could scrape the walls of caves and smear them with ochre, our ability to retain memories and ideas has become greatly sophisticated. I, as with many others, have found myself living in images and music from the past to ease the anxiety of facing the modern era. Moments of uncertainty can be assuaged by a familiar and predictable TV show. The fear of forgetting can be abated by snapping a photo and uploading it to social media. Even further, we can reflect and dwell on memories of past comforts. However, these reflections often turn into sour ruminations. We find ourselves addicted to remembering. To hastily retreat into memory is to search for a community where no one lives, and often those thoughts are interwoven with past mistakes and regret. Liminal Rite explores and amplifies my own tendency to depend on the past, and examines how nostalgia has become a means of self-medication that has only been magnified in recent years. These concepts are explored from the perspective of The Lost Man. He is an elderly individual who, having become lost in his current life, has made a pilgrimage to his childhood home. Though not explicitly stated through the lyrics, he has begun noticing the first signs of dementia and in fear of losing the present, he has run to the past. Throughout the album he walks the property of his child
The Approaching of Atonement
Kardashev
Silvered Shadows
Kardashev
Apparitions in Candlelight
Kardashev
Dissever
Kardashev
Lavender Calligraphy
Kardashev
The Blinding Threshold
Kardashev
Compost Grave-Song
Kardashev
Cellar of Ghosts
Kardashev
Glass Phantoms
Kardashev
A Vagabond's Lament
Kardashev
Beyond the Passage of Embers
Kardashev