M. Ostermeier’s recent solo debut Percolate (Parvoart, Jan 2010) featured fragile Rhodes and acoustic piano melodies atop minimal downtempo electronics and Labradford-esque guitar tones. Here on the 29-minute mini-album Lakefront (released on Hibernate Recordings mid-March 2010), the skeletal acoustic piano remains, but the minimal beats have evaporated and we are left with something more organic, more haunting. Harold Budd is still an apt reference for the piano fragments, but the infusion of acoustic recordings and darker guitar and electronics bring to mind Deaf Center and Library Tapes. The melancholic mood that builds throughout Lakefront evokes feelings of nostalgia and regret. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.