Whether you blame the decline of the music industry or the cities that never sleep, there just aren�t enough big-time dreamers these days. However, the Brockville, Ontario-reared rock quartet Colfax are at a significant advantage over their complacent peers. They know successful business starts at the source; bands need to make music worth paying for again. Just ask the fifty thousand strong visitors to Colfax�s MySpace page. Better proof, however, lies in the massive debut album Keys to the Midway; an aural assault of the band�s patented brand of aggressive melodic rock that finds Cody Humble (vocalist) Brock Tinsley (guitars) Aaron Hopkins (bass) and Joel Hopkins (drums) knitting big top-sized choruses seamlessly with a variety of punishing hooks. While they may not all legally be able to sit at the bar, their first record finds Colfax setting one of their own to heights previously unknown. With a tasteful vision that merges the best possible approaches, the band craft music that is equal parts muscle and melody. Attitude and invention abounds on Keys to the Midway; be it the pummeling-pop insistency of �Run� or the nightmare-gone-wrong �Bigfoot Doesn�t Have Any Sisters� which teeters on the brink of pure catatonia. �We believe music is meant to be played with passion, and we think a lot of bands are more interested in current trends than their own expression,� Brock claims. It�s interesting to note that despite the band�s proficiency (few could resist the exuberant debu