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about this album
Improvisation captures the here and the now. Jazz producers like Bob Thiele at the legendary Impulse Records encouraged John Coltrane and others to record in one take, preserving the excitement generated in the moment. Working in this fashion, I Heart Lung (comprised of guitarist Chris Schlarb and drummer Tom Steck) went into the studio and recorded two days full of improvisations that, over the course of three years time, would be revised in the anti-jazz tradition of overdubs, remixing and post-production composition. On Interoceans, I Heart Lung blends first-take methods with Oblique Strategies: carefully composed, meticulously recorded pieces rooted in improvisation, revised and augmented over time. The results are a compelling vision of chaos and beauty as Chris Schlarb's electric guitar drones and Tom Steck's free-jazz drumming hold and flutter with shimmering acoustic guitars, soaring pedal steel and beautifully captured field recordings. When Kris Tiner's trumpet follows Nels Cline's electric sitar three minutes into "Interoceans II," it's like Don Cherry's loving spirit doting on universal music drones. Presented as a set of four long-form drone-based compositions, Interoceans hints both at the sonic palette and renegade spirit of ECM Records alumnus Steve Tibbetts and Ralph Towner and the measured studio edge of Talk Talk's Laughing Stock. While influenced by Fripp & Eno, Miles Davis, and Terry Riley, I Heart Lung possesses a healthy balance between tradit
