'Image Language’ is a stunning album that dips fourth-world MIDI oddness into silvery pools of cinematic intrigue, juxtaposing dislocated poetry with disorienting jazz and electronics that belong alongside works by Bohren & der Club of Gore, Robert Ashley, Christina Vantzou, David Toop and Colleen. ‘Image Language’ was written between La Becque in Switzerland, on the banks of Leman Lake, and at home on the coast of Normandy, and finds Atkinson keen to capture the disorientation of moving between places, and its effect on the creative process. Inspired by the concept of the "home studio” (now a reality for the majority of artists but in the past more of a prescribed choice for outsiders such as Agnes Martin and Georgia O’Keefe), Atkinson approached the record as if she were building a house, thinking of the tracks as separate rooms, each with their own discrete functions. 'La Brume' harks back to Jon Hassell's genre-defining Editions EG material, with its muted horn and slowcore Bohren-esque electric piano, acoustic and electronic elements seeping into one another without clear definition. Atkinson is a gifted world-builder who composes like a novelist - dialling back the scope and increasing the emotional resonance. She conjures a mist of ghostly claustrophobia that reminds us of Andrei Tarkovsky's terrifying swan-song "The Sacrifice", a film that mostly takes place between four walls on the eve of the apocalypse. On 'The Lake Is Speaking', Atkinson alternates between Fre