Reigle on Huntress- "Every song is about a specific person or people, even the instrumentals. I wouldn’t say that there’s a definite concept, but I created the album and wrote the lyrics during a personally tough winter so thematically, I think it turned out pretty cohesive. It’s a record that’s tough to explain but it’s interesting to see what people take away from it, considering they aren’t really aware of its backstory." He was inspired by a love of ’70s- and ’80s-era horror films. Some of that dark cinematic quality spills over into this album as well. “Charyou” would easily work as the background track for a banging werewolf chase scene—or, thanks to its driving Underworld-style rhythm, as an “everyone on the floor” number at a goth club. “Attean”, with its metronomic synth and hypnotizing female vocals provided by Psychic Twin, has a slightly retro vibe that makes it feel like it was ripped (with a pair of bloody fangs, of course) from the soundtrack to 1987’s Lost Boys. The opening track, “Oslo”, evokes the work of film-scorer Mark Isham when he was doing New Age music in the ’80s. There’s airy, spare quality to the tracks that lets a little light shine in through the thick and foreboding pine boughs overhead. There are long stretches on the album where all you have is a manufactured beat, a tinkling synth line and Reigle’s high-pitched whisper, which evokes Radiohead on a few tracks, especially “Oslo”. While the spare orchestration and sighing vocals might sound l