Home at Last is the solo debut album by Wayne Berry, a Nashville-based singer-songwriter and former member of the folk-rock group Timber. This is arguably one of the greatest "lost" singer-songwriter albums of the 1970s, featuring guest appearances by Johnny Gimble, Charlie McCoy, Ned Doheny, and none other than Jackson Browne. The style of this album can be described as laid-back country rock in the vein of bands like Cowboy or The Ozark Mountain Daredevils. Berry is backed by an amazing all-star band of session musicians including, among others, Steely Dan's Jeff "Skunk" Baxter, Jesse Ed Davis, Jim Gordon, David Briggs, Shane Keister, David Paich, Reggie Young, and most of the Muscle Shoals Rhythm Section. These musicians have played for the likes of Bob Seger, Rod Stewart, Lynyrd Skynyrd and Elvis Presley. As a result, this record can sound nothing but stellar, and it does indeed. On top of that, Wayne Berry's songwriting is top-notch and includes themes reminiscent of Jackson Browne, Bob Seger or Willie Nelson. Although quite heavily promoted, the album did not sell very well, and consequently, Wayne Berry's completely finished second solo album, 1975's Tails Out, which was produced by Elliot Mazer and included an early cover version of Neil Young's "Love Is a Rose," remained virtually unreleased (although a number of copies actually did go on sale for a very short period of time). In 1976, Berry and George S. Clinton, who was also a member of Timber and is now a well-kn