The following is sourced from the Gag CD booklet. “ 1. HEADCRACK pt. 1 (Music for 4 guitars) (Lemos) This was done on a 4-track reel-to-reel machine in 1985 using strictly guitars and guitar synth to aquire the bass effect. Speeds of some of the guitar parts were speeded up, others slowed down, and still others were looped and heavily delayed. From "Headcrack" Ip (new mix). Paul Lemos - guitars 2. LETTERS TO THE LIFE CYCLE (Part 1) (Lemos/Papa) This was done in 1986 on 4-track, and was the first of a four part piece, originally intended to be the score for a modern dance piece. Through time, the only worthwhile part was the first, the others were edited out of the mix. This track consists of five keyboard parts and layered voice. Originally on "Core" Ip. Paul Lemos - keyboards Joe Papa - voice 3. VOCAL CHANT N. 1 (Lemos/Papa) Another four track recording, experimenting with semi-Gregorian vocal arrangement. This was done in late 1989 and suffered from a few sound problems, namely the "glitches" your hear in the delay. However, despite the rough edges, this mix brings the song into clearer focus than in its original state on the "Headcrack" Ip (very different mix). Paul Lemos - instruments Joe Papa - voice 4. MOONSHARDS (Lemos) Recorded in early 1985 on 4-track. This piece was done with an obsolete little instrument called "The Muse", which is simply a couple of tone generators that can output sequenced patterns. Using delay and five separate muse tracks, the resulting pi