Talking about the album, they say: “We gain our main influences during experimenting live with different rhythms, layers of sounds and other textures. The energy that comes up playing live with that amount of people takes our perception of music to another dimension. We developed the whole album during our live shows in 2019 so they really capture a certain moment for the band.” It is unsurprising, then, that the free-wheeling approach that Flying Moon In Space applies to their growingly-notorious live performances has resulted in a record that charts numerous musical sensibilities and moods. ‘The Observer’ is described as an anthem for the “post-industrial burnouts” of the world, a call to break from the humdrum drudgery of modern life in the form of an upbeat psych-pop earworm. “All work and no play is a recipe for disaster,” they say: “We grow old eight hours a day at a desk and then death comes with a bitter kiss. When all is said and done, time will tell that fun has no age.” Unlike the youthful exuberance of the former, ‘Faces’, on the other hand, is a hedonistic four-to-the-floor workout: “Some know the secret and only share it when the music’s on. The beat hits and we all win. You can see it on their faces, the vibing (e)motion sets them free. One could theorize that dance can heal disease, but who’s to say? All we know is the joy it brings when we play.” Elsewhere, ‘Steam. Water. Solid.’ is a Krautrock excursion that doesn’t let loose for a second, a driving and un