The album is dedicated to the undergoing total genocide in Chechnya, the total war where neither honour nor rules are acknowledged, except perhaps those of Marquis de Sade, who - bearing in mind the facts of this war - would have never imagined how far the fantasy of brutal people can advance in order to dominate, torture and control those resembling themselves. Kristian Olsson - or in other words Hieronymus Bosch of the 21st century, living and creating in Sundsvall, North Sweden, where the atmosphere is shaped by hard labour in metallurgical factories and by heroin - has his fantasy and insight reach the apogee in the double album Fentanyl Martyrs. Survival Unit announces that this is the last attempt of this conceptual project, which has been revived after a long break, to put a full stop and spit into the civilisation sinking in lies indeed offensively. Then it comes as no wonder that two discs of Fentanyl Martyrs are extremely grisly. In those horror toys, Kristian Olsson rejects manifests and declarations about those who are right and who are wrong in this conflict obscured by information blockade. He opts for a rather neutral position by relentlessly raising to public the dreary crimes against humanity and declares REALITY with its each element uniquely meaningful. Some play in it a part of the scoundrels, the others that of heroes, while the third embody both roles in one. However, it is obvious that the reality exceeds the fantasy distorted by illusions by all aspe